Ashlie Hardway Finds Potholes On Pittsburgh Streets
http://www.youtube.com/watch?v=bgpNnBkEdDY
The Key to Happiness is in Your Expression of Love
Self Help and Goal Setting Can Foster Unhappiness.
The process of self improvement often has a destructive impact mentally and and emotionally. If you ask what you “should do” or “should be” you become set up for self rejection. Your mind immediately creates a conceptual image of what you should be and another part of your mind determines that you are not the conceptual image you just created. The voice in your head makes a judgment that you are a failure for not meeting the mental image and you end up feeling “not good enough.” All of this because you don’t meet the conceptual image you fabricated in your mind; an image that isn’t even real.
Nelly Furtado: Always To Be Loose
Nelly Kim Furtado (born December 2, 1978) is a Canadian singer-songwriter, instrumentalist, and record producer.
Furtado came to fame in 2000 with the release of her debut album Whoa, Nelly! , which featured the Grammy Award-winning single "I'm like a Bird". After giving birth to daughter Nevis and releasing the less commercially successful Folklore (2003), she returned to prominence in 2006 with the release of Loose and its hit singles "Promiscuous" and "Maneater".
Cesaria Evora
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Music
Cesaria Evora, born in 1941 in the port town of Mindelo on the Cape Verde island of Sao Vicente, is known as the barefoot diva because of her propensity to appear on stage in her bare feet in support of the disadvantaged women and children of her country.
Long known as the queen of the morna, a soulful genre sung in Creole-Portuguese, she mixes her sentimental folk tunes filled with longing and sadness with the acoustic sounds of guitar, cavaquinho, violin, accordian, and clarinet. Evora's Cape Verdean blues often speak of the country's long and bitter history of isolation and slave trade, as well as emigration: almost two-thirds of the million Cape Verdeans alive live abroad.
Long known as the queen of the morna, a soulful genre sung in Creole-Portuguese, she mixes her sentimental folk tunes filled with longing and sadness with the acoustic sounds of guitar, cavaquinho, violin, accordian, and clarinet. Evora's Cape Verdean blues often speak of the country's long and bitter history of isolation and slave trade, as well as emigration: almost two-thirds of the million Cape Verdeans alive live abroad.
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